Where should you put your money? Into specialized, single-effect pedals? Or go for a versatile guitar multi-processor with a huge range of effects, editing and patch-saving capabilities?
After due deliberation, we’ve concluded the answer to this often debated question is: It depends.
Multi-effect pluses and minuses
If you’re looking for maximum bang for your buck, multi-effects processors for guitars and basses typically offer dozens or even hundreds of effects in a single unit. And they usually allow you to edit and save effect combinations and settings as presets or patches. Many also can import new effects and patches from the web. There are a lot of cool multi-effects pedals out there with ability to tweak, twist and transform your sound in a million directions.
But let’s face it. In order to pack all those goodies into one single box, compromises are required. Instead of having dedicated circuits aimed at producing a range of, say, overdrive effects, a multiprocessor uses digital signal processing to emulate those sounds. While some DSP effects may blow you away with their ability to mimic dedicated stomps and vintage amps, real tone snobs usually prefer the original pedal or amp on which the simulation is based.
The M13 Stompbox Modeler multi-effects pedal from Line 6 houses more than 100 effects models based on some of the most revered stomps in guitardom.
The other downside to multi-effects boxes is a potentially steep learning curve. Some of the more sophisticated units have deep menus that take effort to master. That said, the best units make editing patches and other functions pretty intuitive. Then again, you’ll likely run into many guitarists who have barely scratched the surface of their multi-effects pedals—they’re happy with the vast selection of effects their unit offers right out of the box.
If you’re all about tone, a dedicated guitar effects stompbox is more likely to deliver the kind of sound you’re hearing in your head. Generally speaking, given their single-minded nature, single-effect pedals offer more authentic sound and playing dynamics than DSP copy cats. But on a per-effect basis, they cost more.
The BOSS OD-3 does one thing and does it well: it offers a range of overdrive sounds with playing dynamics response that gets high marks from players.
If you’re someone who spends a lot of time experimenting with your sound and pushing the boundaries of what a guitar can sound like, a multi-effects box might make more sense for you. Also, if you do a lot of covers, a multiprocessor can be a lifesaver. At a moment’s notice you can call up a good fuzz sound for that “(I Can’t Get No) Satisfaction” request.
Conversely, if your focus is on a relatively narrower range of sounds, convincing tone is a priority, and you’ve got some budget to work with, building a small collection of premium stompboxes is a better way to go.
What do you use—an effects multiprocessor or a pedalboard jammed with dedicated stomps? Weigh in below and tell us how you roll.
Learn more with our Guitar and Bass Effects Buying Guide.