Zildjian’s SoundLab, the company’s proving ground for developing new cymbals, has just introduced the limited edition Project 391—a new series with sounds unlike anything the world’s oldest cymbal maker has produced up to now. Led by Paul Francis, Zildjian’s Director of R&D, the SoundLab team set out to achieve sounds that weren’t a current part of the company’s tonal palette. They’ve unquestionably achieved that aim using a new alloy and manufacturing techniques that deliver what some drummers refer to as a “Euro sound.”
Music Instrument Product Reviews
Get the straight skinny on the music gear you want with The Hub’s exclusive Hands-On Reviews. You’ll find in-depth details on all manner of musical instruments including guitars, bass, drums, keyboards, and many more. Looking for live sound or recording hardware or software? We’ve got you covered there too. Whether you’re a DJ seeking to amp up your show, a beginning guitarist looking for learning tools, or a seasoned weekend warrior searching for the right music gear and accessories to fit your needs and budget, count on The Hub for no-B.S. product reviews. And be sure to stay tuned as we continue to add new music equipment reviews in the coming months.
By Chris Loeffler | May 29, 2014
Dark tones for a bright future!
Orange amplifiers have been in production since 1968 and have earned a reputation as being the "other" English vintage amp for heavier rock tones. Combining the harmonic complexity of a classic Vox with the rude, saturated gain associated with early Marshalls, the hallmark of the Orange sound is a dark, almost fuzzy distortion created in higher gain settings and warm, edgy cleans. The last ten years have seen a significant expansion of the Orange amp line as designers supplement the legacy of the AD30 and Thunderverb with smaller wattage amps like the Tiny Terror and high wattage, multi-channel offerings like the new Dual Dark series amplifiers.
By John McVarish | May 29, 2014
A bass that can do it all...or at least come close enough for jazz.
I'm making a list
So what does a demanding bassist require and how much are we (my significant other and I) willing to spend? First off, I'm old school and have never played in a pop band with a 5-string, but I'm ready to take the plunge. I've tried many 5-strings in stores and I want one that articulates well in the lows with a bottom B string that is more than a finger rest. For that, a 35” scale is near the top of my wish list.
By Chris Marion | May 29, 2014
Let me start this review with a disclaimer and then a qualification. I am not a guitar player. But, in the last 35 years of my professional experience I have traveled the world playing with some of the best guitar players and I've literally recorded 1000s of songs listening to world-class guitar tone. In my experience with these phenomenal players, there are two things that are extremely important to guitarists, especially road warriors: tone and mobility. The Shure GLXD16 Wireless Guitar System addresses both of these issues with preeminent quality. Let's dig in!
Whether for mixing or synth programming, touchscreens are having a major impact
by Craig Anderton
Mixers used to be so predictable: Sheet metal top, faders, knobs, switches, and often, a pretty hefty price tag. Sure, DAWs started including virtual mixers, but unless you wanted to mix with a mouse (you don’t), then you needed a control surface with . . . a sheet metal top, faders, knobs, switches, and a slightly less hefty price tag.
By Barry Rivman
Musician’s Friend Senior Staff Writer
In the jargon of producers and recording engineers, equalizers fall into two general categories: "surgical" and "character." The surgical EQ is used correctively, e.g. when you wish to focus on a problem frequency without affecting the neighboring frequencies. Much like a surgeon, you want to go into a narrow band with a very precise cutting tool–an appropriate simile since we primarily "cut" or reduce problem frequencies. Examples would be taming harsh frequencies on cymbals; sibilance or plosives in vocals; fizz or wool on distorted guitars; or overly woofy bass.
Expert Review: Evans Level 360 Tom Heads — Part 1 (Part 3 of the series)
A first look at Evans' diverse tom head offerings
Multi-channel Firewire / Thunderbolt Interface
The Focusrite name has an illustrious history, and the company has made some of the most respected large frame mixing consoles and outboard processors ever released. Their Saffire series of Firewire audio interfaces has long been a hit with users too, and today we'll be taking a look at the latest product in that series, the Saffire Pro 26, which is designed with studio recording and live performance use in mind.
By Christopher Dean Elliott
The first thing you notice when you open the Jupiter 1600I XO’s case is its beauty. It is a classic design with a stunning silver plate that would instill a pride of ownership in any player. The bell engraving is a simple cursive XO whose austerity reflects the restraint and good taste that is present throughout this elegant instrument.
The return of the legendary 70s-era CMOS overdrive
By Phil O'Keefe
Vintage effects can be a funny thing. It's nearly impossible to tell you today which of the currently-available crop of effects will become highly-sought collector's items that will be prized by players thirty-five years from now. One pedal from the 1970s that has become very in-demand with modern players is the original Electro-Harmonix Hot Tubes Overdrive. Originally introduced back in 1978, this vintage pedal has enjoyed continued popularity that has only grown in recent years, and which has sent the prices for used examples soaring - often exceeding $300 for an original in working condition.